The Yoshizawa–Randlett system was first described in Samuel Randlett's Art of Origami in 1961. This system caught the attention of Samuel Randlett and Robert Harbin, who added a few symbols such as “rotate” and “zoom in”, and then adopted it as the standard. He employed dotted and dashed lines to represent mountain and valley folds, and a few other symbols such as the “inflate” and “round” symbols. ![]() He introduced its diagramming notation in his first published monograph, Atarashi Origami Geijutsu (New Origami Art) in 1954. In the 1950s and '60s, Akira Yoshizawa proposed a system of diagramming. None of these systems were sufficient to diagram all models, and so none were widely adopted. These ranged from an unwieldy set of symbols to a photograph or sketch of each step attempting to show the motion of a fold. ![]() Later books began to devise a system of showing precisely how a model was folded. The diagrams in this book were very unclear, and often only showed the end result of the folding process, leaving the folder unsure how the model was created. The concept of diagramming originated in the 1797 book “Senbazuru Orikata”, the first origami book ever published.
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